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Context: This analysis examines the two ICC profiles included in the Beta ECG Characterization Target and Kit released by Idealliance in August 2021. As noted at the time, these were beta profiles, not finalized standards. Idealliance — now part of PRINTING United Alliance — has since published an Expanded Gamut 7-color dataset and profile, and work on the final standardized litho and flexo ECG datasets has continued. Check the current ECG project page for the latest files. The GCR comparison below still holds as an illustration of how gray component replacement changes a separation — which is the point.

As part of the Idealliance ECG Beta Characterization Data Set download, there are two different ICC profiles — both 7-color (multichannel), CMYK plus Orange, Green, and Violet.

One is called IA ECG B1C. The other is IA ECG B1C X. The difference between them is how they were built: different amounts of GCR (Gray Component Replacement) were applied.

The CMYK Curves Inside Each Profile

Here are the CMYK curves from within each profile.

CMYK curves inside the IA ECG B1C ICC profile, showing heavier black and reduced cyan, magenta and yellow
IA ECG B1C — more Black, less Cyan, Magenta and Yellow. This is the profile with more GCR applied (commonly called "ink savings").
CMYK curves inside the IA ECG B1C X ICC profile, showing heavier cyan, magenta and yellow with reduced black
IA ECG B1C X — the opposite: more Cyan, Magenta and Yellow, less Black. Less GCR.

Separated Images, Side by Side

Here are RGB images converted (separated) in Photoshop using both ECG profiles — B1C X on the left, B1C on the right.

Side by side comparison of an image separated with the IA ECG B1C X profile on the left and the IA ECG B1C profile on the right
B1C X (left) vs. B1C (right).

The side-by-side is honestly less striking than toggling back and forth, where the difference jumps out. B1C X appears darker, because it's fuller throughout the tonal range.

Channel by Channel

Now look at each individual channel — this is the content that would land on each plate. In order: C, M, Y, K, O, G, V.

Cyan channel separation compared between the IA ECG B1C X and B1C profiles
Cyan — B1C X (left) vs. B1C (right).
Magenta channel separation compared between the IA ECG B1C X and B1C profiles
Magenta — B1C X (left) vs. B1C (right).
Yellow channel separation compared between the IA ECG B1C X and B1C profiles
Yellow — B1C X (left) vs. B1C (right).
Black (K) channel separation compared between the IA ECG B1C X and B1C profiles, showing more black in B1C
Black (K) — B1C X (left) vs. B1C (right). This is the channel where the GCR difference shows most: B1C carries noticeably more black.
Orange channel separation compared between the IA ECG B1C X and B1C profiles
Orange — B1C X (left) vs. B1C (right).
Green channel separation compared between the IA ECG B1C X and B1C profiles
Green — B1C X (left) vs. B1C (right).
Violet channel separation compared between the IA ECG B1C X and B1C profiles
Violet — B1C X (left) vs. B1C (right).

You can clearly see that the B1C X profile puts more content on all of the color channels and less on the Black channel — exactly what you'd expect from a profile with less gray component replacement.

Which Profile Should You Use?

It depends on your priorities. Here's the trade-off:

  IA ECG B1C IA ECG B1C X
GCR More Less
Black usage Heavier Lighter
CMY usage Lighter Heavier
Ink cost Lower Higher
Stability on press More manageable — less prone to color shift More susceptible to shift
Appearance Lighter through the tonal range Fuller, appears darker

The B1C profile will print with less ink and be more manageable on press against color shifts. But be clear-eyed: the results are not perfectly equal in terms of color. That's the trade you're making.

I was already exploring down this rabbit hole and thought others might be interested in the specific differences.

Thinking About ECG?

If you're interested in implementing expanded color gamut printing, get in touch. We offer a complete ECG ink set for offset and flexo, turn-key proofing and soft-proofing, and the training and expertise to help you implement it.
dang@aldertech.com

About the Author

Dan Gillespie, Director of Technical Services at Alder Color Solutions

Dan Gillespie

Director of Technical Services, Alder Color Solutions

Dan has spent more than three decades helping printers, converters, publishers, packaging companies, and photographers get control of their color — across offset, flexo, wide-format, digital, and packaging production. He founded the color consultancy ColorGeek Inc. in 1999 and joined Alder in 2018.

A certified G7 Expert since the inaugural 2006 class, he has spent nearly twenty years implementing G7 and international print standards in real production environments, and was one of the few certified instructors for the SGIA Digital Color Professional program. He's also a professional photographer — which keeps him fluent in both the artistic and technical sides of imaging.

Questions? Contact Dan at Alder Color Solutions: Email: dang@aldertech.com